
THE VOIDZ
I started working with The Voidz in 2017 in preparation for their upcoming LP release. In 2020, I joined the Cult Records team full time.
(above image, unused Alien Crime Lord art from 2020, ended up being posted on social and used for the Youtube posting of the song.)
The Eternal Tao 2.0
The Mets chose to use “The Eternal Tao 2.0” in their season launch TV spot. The creative for TET 2.0 (which had until now only been available on a limited 7”) honored JC’s collaboration with is favorite baseball team.
Digital Cover
The Voidz press photo for the TET 2.0 release, showing them in a tropical-hallucination-version of The Mets home—Shea Stadium.
TET 2.0 / Voidz x Mets merch
Youtube slide for TET 2.0. Another reject cover artwork being put to good use! Featuring photo by Cheryl Georgette!
We made probably 500 (I’m really not kidding) versions of the Mets x Voidz logo…Here are two of the less-used versions that I thought were cool.
ALIEN CRIME LORD
Channeling haunted suburbia and celebrating .jpeg compression in this new cover for the new Voidz song “Alien Crime Lord,” which was released on December 15th in GTA V via Julian Casablancas’s new in-game radio station Kult 99.1FM.
ABOVE: unused Alien Crime Lord Art, ended up being posted on social and used for the Youtube posting of the song.
Designed with our Creative Director Julian & thank you to Nasa (as always).

THE ETERNAL TAO
Above is the 7” for The Eternal Tao / Did My Best which went out under Terrible Records. The back was screenprinted with FIVE different fluorescent inks… which is insane. So shout out to the Terrible team for making that happen.
I 70s remixed Eduard Manet’s “Execution of Maximillian” with our Creative Director Julian Casablancas.
VIRTUE
In 2017 Cult Records brought me on to design the packaging for Virtue, the band’s sophomore album. Most of our time was spent on the back of the record, which we printed in flouro green.
Graphic Designer Michael Molfetas also worked on this project, and the cover artwork is done by Felipe Pantone. Creative Direction by Julian Casablancas and thank you Nasa Hadizadeh!
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